Regards sur Paris
Colour Lithograph : 17 x 13 inches ( 43 x 33 cm )
Inventory # 17781

This lithograph is one of three that illustrate a text by Phillippe Heriat, which is part of a large work entitled "Regards sur Paris" written by the ten members of the Goncourt Academy. This piece comes from edition number 18 of the edition numbers 11-30 (vingt exemplaires numérotés à la presse de 11 à 30) from a total edition of 180. The text of each writer includes 3 or 4 colored lithographs executed by ten different artists (Beaudin, Braque, Brianchon, Carzou, Masson, Picasso, Dunoyer de Segonzac, Van Dongen and Villon). 

Classification of the printing shows: 180 copies on large Arches that break down as follows: 

10 copies numbered as they came from the press from 1 to 10, including a set of the original lithographs on pearly Japanese paper, signed by the artists, and a set on Arches; 20 copies numbered as they came from the press from 11 to 30, including a set of Arches of the original lithographs; 120 copies numbered from 31 to 150; 30 copies not for sale marked H.C. (hors commerce) specially reserved for the authors, artists and artisans of the book. All the copies are signed by the authors and the ten artists.

Published by Andre Sauret, Paris. From "Regards sur Paris". Mourlot 351.
Provenance: Private Collection, USA.

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Maurice Brianchon
French, 1899-1979

Maurice Brianchon was born on January 11, 1899 in Fresnay-sur-Sarthe, France. In 1918, he began his education at the Ecole des Arts Decoratifs in Paris, studying under Paul Morand, and where he met artists Roland Oudot, Raymond Legueult, Joseph Inguimberty, Francois Desnoyer and Jacques Adnet. In November 1919, Brianchon exhibited for the first time at the Salon d’Automne. In 1922, after leaving the École des Beaux Arts Decoratifs, Brianchon and his friend Raymond Legueult rented a studio at l’Avenue du Maine, in Paris. At this time, Brianchon created the costumes for the ballet Griselidis, for the Opéra de Paris, which premiered on November 29, 1922. In 1923 he exhibited for the first time at the Salon des Tuileries, and in 1924 was awarded the Prix Blumenthal. In the same year, a scholarship for the decorative arts allowed him to travel to Spain with Raymond Legueult. Collaborating with Legueult in 1925, the pair created the sets for the Opera, La Naissance de la Lyre, at the Opéra de Paris. By the end of October, Brianchon was named Professor of Drawing at the École Estienne.

In 1930, Brianchon exhibited 32 canvases at Galerie Marcel Bernheim in Paris. In Spring 1934, he participated in the Second Groupe des Artistes de ce temps, at the Musée du Petit-Palais, in Paris. Shortly thereafter, at the Venice Biennale, six of his paintings were shown in the French Pavilion. In 1936 he was invited to teach at the École des Arts Décoratifs.

In 1939 Brianchon received the Garden Club Prize of the Carnegie Institute. Following the declaration of the Second World War, Brianchon was drafted in a section of camouflage, where he met many of his friends who were painters or sculptors. Meanwhile, he created the sets and costumes for the Paris Opera. In 1940 he was named a member of the Committee of the Salon des Tuileries. Brianchon continued to create work for the Opera throughout the next decade, as well as being named Chevalier de la Légion d’honneur. In 1949 he was named chief of the École Nationale des Beaux-Arts of Paris. He maintained this position for nearly twenty years and had an immense influence on many students.

In 1951 the Musée des Arts Décoratifs presented an important retrospective of Brianchon’s work at the Palais du Louvre. The catalogue from this exhibition included 530 paintings and as many watercolours, drawings, lithographs and tapestries by the artist. Brianchon established a strong following and enjoyed numerous awards, exhibitions, and other achievements throughout his career, including exhibitions in both New York and Tokyo. He passed away in Paris on March 1st, 1979.